lojbo jufsisku
Lojban sentence search

Total: 35 result(s)
lujvo x1=k1=s1 is a server on the Internet for a client x2=k1=s2 of service x3=s3. -kib- is a short rafsi of experimental gismu kibro. See samseltcana_2 for nodes of a network, kibro selfu, kibdu'a, kibycpa, kibyca'o
experimental gismu x1 searches network or collection of information/data/facts, etc. (especially the Internet) for information on topic/quote x2 using service/tool/search resource/function x3 provided by (host, company, etc.) x4 with accessed information sources (websites, network, documents, books, etc.) x5. x3 is a search engine that provides information/resource/output on topic/query x2 by way of organized and (semi-)automated/quick information search through many providers/sources of information including x5, with search service provided by x4 and provided to/used by/accessible to (potential or actual) user x1 (who does not actually perform the initial search/sorting/recruiting of information). x4 is a search engine service provider able to present search results via service/tool x3. Key word search, academic search, picture search, video search, map search, etc. can be expressed by x3; the algorithm and other means of searching through, organizing and ranking, and presenting the massive amount of information (provided by x5) may likewise be expressed by x3 (in brief). The creation and/or use of this word does not endorse Google or any other search engine service provider. Proposed short rafsi form: –gul–. See also: valfa
experimental gismu x1 is the audience/enjoying party of work/performance/program/transmission/experience x2 (concrete or abstract); x1 watches/listens/reads/experiences x2 All connotations about the judgment of the experience by x1 are neutral in this definition (despite the use of the "enjoy"). This word references a generalizing concept of x1 being an audience to some work or experience, such as magic acts (even if x1 participates somewhat),theatrical plays, ovations (radio, storytelling, etc.), télévision programs, books, discussions or media productions on the Internet, etc. The core concept is audiencehood, regardless of the work being enjoyed/experienced and its form. There are no connotations about how x2 is perceived by x1 (that is: which senses are used), nor how x2 is transmitted nor who or what allows x1 to experience it (that is: whether there is an agentive performer or just a piece of hardware that displays x2), nor of the nature of x2; the term is completely generic and general. See also: tigni, jarco, lifri, skina, kinzga, tirna, zgana, cradi, tivni