lojbo jufsisku
Lojban sentence search

Total: 40 result(s)
fu'ivla x1 (entity) savors x2 (event/experience); x1 lingers on and enjoys x2 completely See mau'u, zanfri, lifri
fu'ivla x1 feels sensation / qualia x2 via sense x3 (ka) // {ka'e gansetifri} = x1 is sentient (able to feel subjective conscious experiences) x2 is a ganseti-type. Proposed gismu form: gelse, with rafsi -ges- and -ge'e-. See lifri, ganse.
gismu rafsi: miv ji'e x1 lives/is alive by standard x2; x1 is an organism/living thing. (adjective:) x1 is vital, organic. See also lifri, morsi, stuzi, zvati, xabju.
fu'ivla x1 (li'i) is the subjective conscious experience of x2 (nu or ka-of-x3), as experienced by x3 Brivla form of li'i. See lifri, vedli, li'i, nundumu, du'umdu, su'umdu, zilkai, ganseti
gismu rafsi: rev re'i x1 survives/endures/undergoes/abides/lasts/persists through x2 for interval/duration x3. Also lasts out, withstands; x1 persists/lasts for duration x3; (adjective:) x1 is tough/durable. See also ranji, kuspe, randa, lifri, stali, temci.
ke'u la lojban cu ralju lo se lifri larcu be lo remna i je li'a lo go'i cu rinka lo nu le nu larcu cu jdika lo ni sutra i tai bo lo tsunami co'a mo'u klama lo xamsi korbi
Once again, Lojban is at the forefront of human creative experience - which, of course, will slow it down even as it strengthens it, like a tsunami as it approaches a shoreline.
gismu rafsi: fau x1 (event) is an event that happens/occurs/takes place; x1 is an incident/happening/occurrence. (cf. cmavo list fau, krefu, lifri, fatci, rapli; gasnu, zukte, if specifically agentive, banli)
experimental gismu x1 is the audience/enjoying party of work/performance/program/transmission/experience x2 (concrete or abstract); x1 watches/listens/reads/experiences x2 All connotations about the judgment of the experience by x1 are neutral in this definition (despite the use of the "enjoy"). This word references a generalizing concept of x1 being an audience to some work or experience, such as magic acts (even if x1 participates somewhat),theatrical plays, ovations (radio, storytelling, etc.), télévision programs, books, discussions or media productions on the Internet, etc. The core concept is audiencehood, regardless of the work being enjoyed/experienced and its form. There are no connotations about how x2 is perceived by x1 (that is: which senses are used), nor how x2 is transmitted nor who or what allows x1 to experience it (that is: whether there is an agentive performer or just a piece of hardware that displays x2), nor of the nature of x2; the term is completely generic and general. See also: tigni, jarco, lifri, skina, kinzga, tirna, zgana, cradi, tivni