lojbo jufsisku
Lojban sentence search

Total: 15 result(s)
gismu rafsi: tig x1 performs x2 [performance] for/before audience x3. See also jarco.
mo'u se tigni
The show is over.
.oinai lo nu ta tigni
I'm pleased with their performance.
ko'oi lo nanba je lo se tigni
Bread and circuses.
du'e prenu pu zvati lo nu zgike tigni
There were too many people at the concert.
de'i li cy xo lo se tigni cu cfari
At what time does the performance begin?
lo nu zgipli cu incipe lo se tigni
Playing music is the initial part of the performance.
fu'ivla x1 is a maestro, musical master in field x2 See certu, zgike, tigni
le tigni cu seksi lo ka dasni lo tordu skaci vau lo ka ninmu
The actor shows her female sexuality by wearing a short skirt.
le za'u mei cu tigni lo ka sutra dansu vau lo tadni
They are performing a fast dance before students.
lujvo di1 is a theater for performing plays with theme di2=dr2 for audience x3=dr4 with actors x4=dr5. Cf. tsina, tigni.
lujvo p1=ti1 is a model/mannequin serving fashion/artistic/commercial concept ti2=ta1. Cf. tigni, tarmi, larcu, taxfu.
fu'ivla x1 is a circus group/band/performer(s) performing x2 (abstraction) Cf. tigni, draci, xajmi, zajba
gismu rafsi: ja'o x1 (agent) shows/exhibits/displays/[reveals]/demonstrates x2 (property) to audience x3. [reveal (= tolmipygau, mipyja'o, sivja'o); also: x1 shows that x2, x1 shows off x2; Use arco for displaying objects.; See also tigni, cipra, zgana, jvinu, lanli, mipri, simlu.
experimental gismu x1 is the audience/enjoying party of work/performance/program/transmission/experience x2 (concrete or abstract); x1 watches/listens/reads/experiences x2 All connotations about the judgment of the experience by x1 are neutral in this definition (despite the use of the "enjoy"). This word references a generalizing concept of x1 being an audience to some work or experience, such as magic acts (even if x1 participates somewhat),theatrical plays, ovations (radio, storytelling, etc.), télévision programs, books, discussions or media productions on the Internet, etc. The core concept is audiencehood, regardless of the work being enjoyed/experienced and its form. There are no connotations about how x2 is perceived by x1 (that is: which senses are used), nor how x2 is transmitted nor who or what allows x1 to experience it (that is: whether there is an agentive performer or just a piece of hardware that displays x2), nor of the nature of x2; the term is completely generic and general. See also: tigni, jarco, lifri, skina, kinzga, tirna, zgana, cradi, tivni