lojbo jufsisku
Lojban sentence search

Total: 74 result(s)
xu da poi vi zvati lo tadni kumfa cu ba'o tirna la norman.finkelctain.
Has anyone here in the classroom heard about Norman Finkelstein?
va'o lo kensa no da su'o mu'ei tirna lo nu krixa
In space, no one can hear you scream.
doi murmura co grusi ko na murmura i lo rirpa'u ka'e tirna
O grey pussycat, please don't purr. Grandpa might hear you.
lo mikce cu lanli lo bilma lo ka tirna lo fepri
The doctor examines the patient by listening to the lungs.
mi pu tirna lo sance be lo palta poi ca'o porpi
I heard the sound of a plate breaking.
savru
gismu rafsi: sav vru x1 is a noise/din/clamor [sensory input without useful information] to x2 via sensory channel x3. See also sance, cladu, kerlo, smaji, tirna, siclu.
mi pu tirna da .i ku'i mi pu na kakne lo nu facki lo du'u da mo kau
I heard something, but I couldn't tell what it was.
zgana
gismu rafsi: zga x1 observes/[notices]/watches/beholds x2 using senses/means x3 under conditions x4. Behold/watch/gaze (= vi'azga); guard/watchman/sentinel (= zgaku'i, jdeku'i). See also cmavo list ga'a, ganse, viska, catlu, tirna, pencu, sumne, kurji, canci, catlu, jarco, lanli, pinka, simlu.
ganse
gismu rafsi: gas ga'e x1 [observer] senses/detects/notices stimulus x2 (object/nu) by means x3 under conditions x4. x1 is sensitive to x2; also feels, spots, perceives, makes out, discerns/recognizes (but only implying reaction without necessarily any significant mental processing); note that the emphasis is on a property which stimulates x1 and is detected (sanji is passive about the sensing, and is not limited to sensory input, as well as presuming some kind of discernment/recognition, while not being concerned with the means of detection); x3 sense/sensory channel. See also pencu, sanji, viska, sumne, tirna, zgana, canci, simlu.
tifri
experimental gismu x1 is the audience/enjoying party of work/performance/program/transmission/experience x2 (concrete or abstract); x1 watches/listens/reads/experiences x2 All connotations about the judgment of the experience by x1 are neutral in this definition (despite the use of the "enjoy"). This word references a generalizing concept of x1 being an audience to some work or experience, such as magic acts (even if x1 participates somewhat),theatrical plays, ovations (radio, storytelling, etc.), télévision programs, books, discussions or media productions on the Internet, etc. The core concept is audiencehood, regardless of the work being enjoyed/experienced and its form. There are no connotations about how x2 is perceived by x1 (that is: which senses are used), nor how x2 is transmitted nor who or what allows x1 to experience it (that is: whether there is an agentive performer or just a piece of hardware that displays x2), nor of the nature of x2; the term is completely generic and general. See also: tigni, jarco, lifri, skina, kinzga, tirna, zgana, cradi, tivni